Following celebrated productions of Prokofiev's 'Semyon Kotko' and Shchedrin's 'The Left-Hander', Valery Gergiev continues his survey of uniquely Russian works with 'The Golden Cockerel', Rimsky-Korsakov s final and, arguably, most mysterious opera. This vibrant new production mixes live action with CGI, and is the vision of Anna Matison, an acclaimed playwright, script-writer, film director and producer. 'The Golden Cockerel' was Matison s directorial debut with the Mariinsky, and saw her also take on the roles of production and costume designer. The melodious nature, beauty and leitmotifs of the plot are underscored by the production designs; the opera uses pantomime and masquerades, while the sets utilised 3D video projections.

‘A beautiful song – a shame that it shows such disrespect to the Mayor!’ This remark from the score of The Golden Cockerel highlights the delicious ambiguity of this work. Principally inspired by Washington Irving and Pushkin, Rimsky-Korsakov called on the talents of Vladimir Belsky, an author of other libretti of a fairy-tale, legendary nature and an expert on Russian folk literature. The composer, a genius at orchestration, has given us sparkling music, with oriental touches, that creates fully rounded characters. This is the perfect occasion for Alain Altinoglu to direct his first opera in his new role as Music Director of La Monnaie. After the success of his Don Quichotte and Cendrillon, Laurent Pelly returns to La Monnaie to stage this exuberant political satire, an adventure in unrestrained rhythm. More than a century has passed since its first performance, yet the opera has lost none of its boisterous sarcasm.

Pushkin folk tale as comedic opera whose sultry elements expand an Oriental influence. Korsakov portrays the story of Tsar Nicholas II, punished for his cowardice and despotism, using satire to condemn Russia's autocratic ruler.

The boy Petya scares all the animals, boasting of his strength. But when he fell into a puddle, the little hares, the cockerel, and the squirrel came to the rescue. And Petya realized that one cannot live without friendship.

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How a once-in-a-generation Argentina team, led by Manu Ginobili, brought down the “Dream Team” and won gold at the 2004 Olympic Games.

After it has been sold to a new owner,a shyster and killer has stolen the property deed to a valuable mine and is using it for blackmail purposes. The former owner of the mine is framed for a murder, and his daughter and the new owner work to save him from the gallows.

Arthur Hill stars in the CBC-TV drama The Golden Handshake, filmed in Toronto. Play concerns the plight of an unemployed executive. With Hill are Norman Allin, and Ron Weyman. TV Movie, 1973

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